He scored the Remparts' second goal in the finale victory, putting him into a tie with Seattle's Kyle Crnkovic at the event. Ding me with a message if you're interested.On top of that, Malatesta was named the MVP of the tournament, tying for the Memorial Cup lead with five goals in four games played while making an impact all over the ice with his speed and competitiveness. If you'd be interested, I'd be happy to set you up with a copy, and would be more than willing to help you out with formatting review for yours. Right now, I'm looking primarily at pacing and characterization, and what people think does and doesn't work for it. I'm in the middle of minor edits to the first draft right now (typos, tightening dialog, compressing stage directions), but have a few folks funneling me feedback I'm working in before actually starting the rewrite for the second draft. Once I learned to trust my software, everything else got a lot easier, including modifying layout when necessary.Īnd yeah, if you'd be interested in doing a read of it, I'd love any feedback. Keep your layout as simple as necessary to transport the script.
#FINAL DRAFT MOBILE STAGE PLAY FORMAT SOFTWARE#
Most of the various formats can be switched between without too much effort, especially depending on what software you're using. But stageplays are much more forgiving about that. Yeah, it's easy early on to get really caught up on formatting, I went through it on my first script. (cont'd) for dialog that spans pages (I have mixed opinions on the usefulness of (MORE) at the bottom of a page where it splits)Īnd then formatting for things like the Dramatis Personae and any playwright notes you want to include, which are easy to find and are more or less consistent.Parentheticals indented after the character prompt, in parentheses.Character name prompts uppercase, either left aligned or centered.
#FINAL DRAFT MOBILE STAGE PLAY FORMAT FULL#
Stage directions not full width and italicized, with first references to characters uppercase.Scene/Act headers centered, uppercase, and underlined.It's easy to pick out the main formatting themes and run with them. Overlapping dialog in columns, with slashes, or just noted as overlapping. Stage directions that are centered and justified, or that are 50% width right aligned. Mix and match usage of stage directions and parentheticals. Character names centered or left aligned. That's why you can read a dozen scripts and see a dozen variations on things. Theatrical scriptwriting isn't quite as formal as screenplay writing is. Simple, easy to take out into other software and tweak. I use Celtx for my scriptwriting, and I'm a big fan of how it formats too. Same deal - find one that you think does what you need and use that to create a Word or LibreOffice stylesheet. There are several "style guides" available online. Find a playwright you like, who you think uses a format that makes the script easily accessible and mimic that as your format.
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